Matthew Craven uses found images collaged onto obsessively drawn patterns to suggest the primacy of geometric abstraction in our visual vocabulary. Often buying several copies of the same vintage textbook, he repeats images of ancient art and archaeological remains to mirror geometric patterns inspired by decoration of North and South American indigenous origin. Attentive to physicality, his laboriously hand-drawn pieces are on the backs of old movie posters, adding another layer of age. Craven's fusions erase particularity, implying that patterns and perhaps histories across cultures start to reflect rather than oppose each other.
Matthew Craven was born in Michigan. He earned a BFA from Michigan State University, and received his MFA from the School of Visual Arts, NY. He has exhibited widely in the United States and abroad, including solo and two-person exhibitions at David Shelton Gallery, Houston; DCKT Contemporary, NY; Allegra LaViola Gallery, NY; Marvelli Gallery, NY; Gallery Hijinks, San Francisco; Packing, Detroit; and Get This! Gallery, Atlanta. Group exhibitions include Muster-Meier, Switzerland; Richard Heller Gallery, Los Angeles; Perry Rubenstein, NY; and the Hole, NY; among others. Craven has been reviewed in The Brooklyn Rail, Art Critical, The Huffington Post, and Burnaway, and has curated exhibitions at DCKT, Asya Geisberg Gallery, and Nudashank.