Basement Theater, 2017

Vinyl, suede, wood, metal, rope

71” x 30” x 1.5” | 180 x 76 x 4 cm

Housekeeping, 2017

Vinyl, suede, wood, metal, zipper

44” x 15” x 4.5” | 112 x 40 x 11 cm

Afterschool Locker, 2017

Hand-printed vinyl, wood, metal, horsehair, resin, tacks

66” x 37” x 6” | 168 x 94 x 15 cm

First Class Quick Fix

First Class Quick Fix, 2017

Vinyl, cotton, metal, plastic

25” x 26” x 21” | 63 x 66 x 53 cm

Good Morning Farewell

Good Morning Farewell, 2017

Leather, vinyl, wood, resin

31” x 36” x 5” | 79 × 91.5 × 13 cm

Midnight Caper

Midnight Caper, 2017

Leather, horsehair, vinyl, tweed, metal

51” x 33” x 33” | 129.5 x 84 x 48 cm

Holiday Street Fair, 2017

Leather, vinyl, wood, beads, metal

58” x 33” x 2” | 147 × 84 × 5.1 cm

Traveler, 2016
Vinyl, wood, chrome exhaust pipe, embellishments
50” x 16” x 4”

Way In, 2016

Leather, vinyl, wood, metal, clasp, tacks

42” x 34” x 1.5” | 107 x 86 x 4 cm

Stage Diver

Stage Diver, 2017

Vinyl, rope, wood, metal

54” x 10” x 6” | 137 x 25 x 15 cm

Waves and Tides, 2016

32” x 37” x 1”

Vinyl, wood, embellishments

Ancestry Trace, 2016

Vinyl, wood, acrylic, trim, embellishments

42” x 21” x 1

On Standby, 2016

Vinyl, wood, resin, acrylic, embellishments

19” x 8” x 3”

Accumulator, 2016

Vinyl, wood, resin, acrylic, embellishments

21.5” x 27.5” x 3”

Suit

Suit, 2016

Aluminum, leather, vinyl, wood, embellishments

34" x 14" x 2"

Midpoint Method

Midpoint Method, 2015

Steel, rope, latex paint, leather, horse hair, wood

47” x 36” x 11”

Rocker

Rocker, 2015

Aluminum, wood, fabric, rope, horse hair, trim, found jewelry

3.5” x 6.5” x 7”

Sextant

Sextant, 2015

Aluminum, chain, leather, ceramic knob

40” x 21.5” x .5”

Slow Easy Stride

Slow Easy Stride, 2015

Wood, aluminum, leather

32.5” x 11” x 3”

Tease

Tease, 2015

Plastic fitting, horse hair, aluminum, chain, pleather

57” x 12” x 3”

Biography

Trish Tillman juxtaposes diverse materials to evoke domestic ritual, fetish, and a modern tendency towards private totemic monuments. Industrial components fused with uncanny decorative elements like hair, leather, rope and chains become unsettling talismans, transcending function to reflect material fetishism and idiosyncratic cultural references. Fabrics and cheap jewelry gain gravitas through minimal elegant compositions, while plumbing fixtures or bicycle racks are rendered unrecognizable. Tillman's sly echo of Minimalist sculptures mixes with Pop material and a Postmodern rejection of strict binaries of high/low, made/bought, and transformed/unadulterated.

Trish Tillman was born in Chicago and lives and works in New York. She received an MFA from School of Visual Arts and a BFA from James Madison University. Tillman has had group exhibitions at Fireside Projects, NY, Present Company, NY; Cindy Rucker Gallery, NY; Regina Rex, NY; Emerson Dorsch, FL; and Elephant Art Space, CA, among others. Solo exhibitions include Civilian Art Projects, Washington, DC, and the Arlington Arts Center, VA. She is a recipient of the Joan Mitchell Foundation 2009 MFA Grant, and a 2015 Fountainhead Residency in Miami, FL.