Rebecca Morgan

Predator Farmer, 2017

Oil and graphite on panel

20” x 24” | 51 x 61 cm

Rebecca Morgan

Wading Babe, 2017

Oil and graphite on panel

30” x 20” | 76.25 x 51 cm

Rebecca Morgan

Pie Stealer, 2017

Oil and graphite on panel

18” x 18” | 45.75 x 45.75 cm

Rebecca Morgan

Sweet Gingham’d Daisy Picker, 2017

Oil and graphite on panel

22” x 18” | 56 x 45.75 cm

Granny Huffer

Granny Huffer, 2015

Oil and graphite on panel

10” x 8”

Runaway bride/groom, 2016

Oil and graphite on panel

20” x 22”

After Work Sunset, 2016

Oil and graphite on panel

10” x 8”

Rebecca Morgan

Self Portrait Post MFA Wearing the Smock of a Former Employer II, 2017

Graphite and oil on panel

20h x 16w in
50.80h x 40.64w cm

RM004

Spring Bumpkin

Spring Bumpkin, 2013

Oil and graphite on panel

12” x 9”

Sweet Country Bumpkin, 2016

Oil and graphite on panel

10” x 9”

Cinnabun in Bed, 2016

Oil and graphite on panel

20” x 24”

I Love New York

I Love New York, 2011

Oil and graphite on panel

30” x 24”

Biography

Born in central Pennsylvania, Rebecca Morgan works in painting, drawing, and ceramics that subvert stereotypes of Appalachia. Imbued with folk tradition and a sly sense of humor, her work peels apart the simultaneous reverence and disgust for rural people. Stylistically, Morgan embraces the hyper-detailed naturalism of Dutch masters, as well as absurd, repulsive caricature suggestive of underground cartoonists like R. Crumb. Although they often contain modern clues, her characters and scenes evoke a romanticized, nostalgic America, nonexistent but wistfully recalled, much like Norman Rockwell’s illustrations. Morgan’s works question what such images were selling in their conception, and she gives her archetypal maids, hillbillies, and dandies the space to explore contemporary issues of women reclaiming their subjectivity, a pop-cultural false sense of romance, and ideas about masculinity, power, escapism, and hedonistic backwoods pleasure.

Rebecca Morgan received a BA from Bloomsburg University of Pennsylvania and her MFA from Pratt Institute, NY. Press for her work includes The New York Times, Time Out New York, ARTnews, Whitehot Magazine, Beautiful Decay, Artslant, Juxtapoz Magazine, The Huffington Post, Paper Magazine, Hyperallergic, and Berlin's Lodown Magazine. She is the recipient of residencies at the John Michael Kohler Arts Center, the Bemis Center for Contemporary Arts, The Watershed Center for Ceramic Arts Residency, a Vermont Studio Center full fellowship, and the George Rickey Residency at Yaddo, among others. Morgan has exhibited widely in the United States and abroad, with recent exhibitions at The Vancouver Art Gallery, Canada, The Hole, NY, MRS Gallery, NY, Marinaro Gallery, NY, Hashimoto Contemporary, CA, Woodstock Byrdcliffe Guild, NY, Fisher Parrish Gallery, NY, Woskob Family Gallery at Penn State, PA, Knoll Galerie, Austria, Richard Heller Gallery, CA, Children’s Museum of Art, NY, and SPRING/BREAK art fair, New York, NY.