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Originally from Canada, Melanie Daniel is currently working in Tel Aviv-Jaffa, Israel. Facing possible apocalypse, the humans in her rich narrative world forge a Mad-Max D.I.Y. method, trying to save or recreate a nature threatened with extinction. They have adopted various methods to adapt and survive, sometimes with ambiguous results, other times humorously hopeless. They still attempt the mundane tasks of daily life, but in an inhospitable world they appear unmoored. Her paintings poignantly capture this pervading duality of utopian and dystopian narratives.

Daniel’s psychedelic, unnatural palette, dense areas of vibrating pattern, and skewed perspectives underscore the uneasy relationship between the subjects and their environment. The result of nature overwhelming the human presence is reminiscent of Jules de Balincourt, Hernan Bas, or Lisa Yuskavage. Daniel’s big, brash, and strangely beautiful works are cautionary yet hopeful. They show the resilience of nature, as plants and flowers intermingle with graffitied ruins and threaten to overrun the canvas.

After studies in Canada, Melanie Daniel completed her BFA and MFA at Bezalel Academy, Israel. Daniel has had numerous exhibitions in Israel and abroad, including solo exhibitions at Mindy Solomon Gallery, Miami, the Grand Rapids Art Museum, Michigan, the Tel Aviv Museum of Art, Israel, Chelouche Gallery, Tel Aviv, Ashod Museum of Art, Israel, Shulamit Gallery, Los Angeles, Kelowna Art Gallery, BC, and Noga Gallery of Contemporary Art, Tel Aviv, among others. Her work is included in collections such as the Tel Aviv Museum of Art, Harvard Business School, and the Brandes Family Art Collection. She has received press in publications such as Border Crossings MagazineYoung Space New YorkMaake Magazine, Artnet, Newsweek, Frieze, HaaretzCBC/Radio CanadaThe Huffington PostBeautiful Decay, and the Artists Magazine. Daniel is the recipient of a Pollock-Krasner Foundation Grant, a New York Foundation for the Arts Grant, the 2009 Rappaport Prize for a Young Israeli Painter, a Creative Capital Grant, and the NARS Foundation Residency in New York City. She recently completed a position as the Padnos Distinguished Artist-in-Residence at Grand Valley State University, MI.

Painting on canvas by Melanie Daniel

Melanie Daniel

Little Flame, 2022

Oil and acrylic on canvas

70h x 54w in
177.80h x 137.16w cm

MD100

Painting on canvas by Melanie Daniel

Melanie Daniel

Mighty Real, 2021

Oil on canvas

35h x 35w in
88.90h x 88.90w cm

MD084

Painting on canvas by Melanie Daniel

Melanie Daniel

Patch Tree, 2022

Oil on canvas

59h x 51w in
149.86h x 129.54w cm

MD101

Painting on canvas by Melanie Daniel

Melanie Daniel

Still Falling 4 U, 2021

Oil on canvas

56h x 52w in
142.24h x 132.08w cm

MD085

Painting on canvas by Melanie Daniel

Melanie Daniel

You're Daydreaming, 2019

Oil on canvas

40h x 40w in
101.60h x 101.60w cm

MD078

Painting on canvas by Melanie Daniel

Melanie Daniel

WiFi Woods, 2022

Oil and acrylic on canvas

30h x 22w in
76.20h x 55.88w cm

MD099

Painting on canvas by Melanie Daniel

Melanie Daniel

Dear Friends, 2021

Oil on canvas

30h x 35w in
76.20h x 88.90w cm

MD095

Painting on canvas by Melanie Daniel

Melanie Daniel

100% Contained (Yes You Can), 2019

Oil on canvas

20h x 20w in
50.80h x 50.80w cm

MD079

Painting on canvas by Melanie Daniel

Melanie Daniel

Twins, 2021

Oil on canvas

54h x 54w in
137.16h x 137.16w cm

MD088

Painting on canvas by Melanie Daniel

Melanie Daniel

80% Contained (Fire Under Chair), 2019

Oil on canvas

20h x 20w in
50.80h x 50.80w cm

MD081

Painting on canvas by Melanie Daniel

Melanie Daniel

Papercut, 2019

Oil on canvas

40h x 40w in
101.60h x 101.60w cm

MD083

Oil on canvas painting by Melanie Daniel

The New Gods, 2018
Oil on canvas
33h x 30w in